Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Alcoa Theatre is a half-hour American anthology series telecast on NBC at 9:30 pm on alternate Monday nights from October 7, 1957 to September 16, 1960. The program also aired under the title Turn of Fate, with the stories depicting the difficulties faced by individuals who are suddenly thrust into unexpected and perilous dangers. Alcoa Theatre was syndicated together with Goodyear Theatre as Award Theatre.In 1955, The Alcoa Hour premiered in a one-hour format aired on Sunday nights, but it was reduced to 30 minutes, retitled Alcoa Theatre, and moved to Monday evening in 1957. The show employed an alternating rotating company of actors: David Niven, Robert Ryan, Jane Powell, Jack Lemmon and Charles Boyer. Each appeared in dramatic and light comedic roles through the first season.

Danger Theatre is an American half-hour comedy anthology series for television, produced by Universal Studios and originally aired on the American Fox network in 1993.With two exceptions, each half-hour-long show consisted of two comedy segments, each a spoof of a familiar action/anthology format. The style of the comedy was somewhat similar to that of films like Airplane! and TV shows like Police Squad!Robert Vaughn, most familiar to audiences from his role on The Man from U.N.C.L.E., was the host for each episode, introducing to camera each fifteen-minute segment with mock earnestness. The jokes ranged from humorous or preposterous dialogue to visual gags and slapstick designed to poke fun at the serious dramatic formats being lampooned.Danger Theatre only ran for seven episodes before cancellation, but was syndicated beyond the United States, airing in the United Kingdom on the BBC in 1994.

残缺剧院是几乎所有从这些黑暗的大门释放到世界，引起蠕动和不适的汇编。幸运的是，我已经习惯了这一点，甚至在之前（正如我在之前的综述中所说）我已经深深地了解了人们。这是一种宗教体验。这是一种超越一切的兴奋。它接受所有的负面因素并使它们变得积极。好吧，给做这件事的人。疼痛压倒了疼痛。丹尼尔·瓦连特（Daniel Valient）巩固了这种情绪的冲动，从而将其全部推到了任何足够好奇的人的脸上。他们要么接受并理解，要么退到一个舒适的角落。

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A series of dramas featuring staged theatre plays.

残缺剧院是几乎所有从这些黑暗的大门释放到世界，引起蠕动和不适的汇编。幸运的是，我已经习惯了这一点，甚至在之前（正如我在之前的综述中所说）我已经深深地了解了人们。这是一种宗教体验。这是一种超越一切的兴奋。它接受所有的负面因素并使它们变得积极。好吧，给做这件事的人。疼痛压倒了疼痛。丹尼尔·瓦连特（Daniel Valient）巩固了这种情绪的冲动，从而将其全部推到了任何足够好奇的人的脸上。他们要么接受并理解，要么退到一个舒适的角落。

《炉边剧场》（后称《简·怀曼呈现炉边剧场》、《简·怀曼剧场》、《简·怀曼秀》及《简·怀曼呈现》）是一部美国电视单元剧系列，于1949年至1958年间在美国全国广播公司（NBC）播出，是美国电视史上第一部成功的拍摄剧集。早期剧集（1949-1955）预算低廉，常取材于公有领域故事。尽管该剧被评论家轻视，但在其大部分播出时期，它都位列十大热门节目。在第八季（1955–1956），简·怀曼成为该剧的主持人和制片人，使之成为仅有的第二部由女性主持的黄金时段电视网拍摄单元剧。后期剧集（1955–1958）由重要自由电视编剧创作，如罗德·瑟林、阿伦·斯佩林和吉恩·罗登贝瑞。它早于美国电视制作领域的另一位重要先驱《我爱露西》两年。

Ford Theatre, spelled Ford Theater for the radio version and known as Ford Television Theatre for the TV version, was a radio and television anthology series broadcast in the United States in the 1940s and 1950s. At various times the television series appeared on all three major television networks, while the radio version was broadcast on two separate networks and on two separate coasts. Ford Theatre was named for its sponsor, the Ford Motor Company, which had an earlier success with its concert music series, The Ford Sunday Evening Hour.